Libre Moretus is a revival of the Plantin typeface, as designed by Frank Hinman Pierpont in 1913 for Monotype, and the name is still a registered trademark in the USA. The primary referance source is scans of Letraset Plantin 110.
Below is a scan from a Letraset specimen book, used for development reference:
[TODO] Info here.
[TODO] Info here.
[TODO] Info here.
- Typeface Name: Libre Moretus
- Category: Old-style
- Number of Glyphs: ___
- Included Styles: Regular, Bold, Italic, Bold Italic
- Latest Release: ___
Copyright 2016 The Libre Plantin Project Authors.
See OFL.txt for the full texts of the licenses.
The Libre Plantin Project Authors includes:
- Eli Heuer
Plantin is an old-style serif typeface named after the printer Christophe Plantin. It was first cut in 1913 by Fritz Stelzer under the guidance of Frank Hinman Pierpont for the Monotype Corporation, and is based on a Gros Cicero face cut in the 16th century by Robert Granjon.[1] Plantin is one of the typefaces that influenced the creation of Times New Roman in the 1930s.[2]
The intention behind the design of Plantin was to create a font with thicker letterforms than had typically been used until that time: previous type designers had reduced the weight of their fonts to make up for the effect of ink spread, but by 1913 innovations in smoothing and coating paper had led to reduced ink spread.[3] Pierpont was inspired to use Granjon's designs by a visit to the Plantin-Moretus Museum in Antwerp, Belgium, which had them on display.[4]
The Granjon font on which Pierpont's design was based was listed as one of the types used by the Plantin-Moretus Press beginning in the 17th century, long after Plantin had died and his press had been inherited by the Moretus family, but Plantin himself had used a few letters of the font to supplement another font, a Garamond.[3][4][5][6]
The design for Plantin preserved the large x-height of Granjon's designs, but shortened the ascenders and descenders and enlarged the counters of the lowercase letters a and e.[4] The different 'a' may originate from a mistake made in printing a specimen sheet at the Plantin-Moretus Museum as a specimen for Monotype to use in designing Plantin, in which an 'a' from the wrong font was used. The resulting change alters the character of Plantin (and Times New Roman, which was based on it) considerably.[7]
During the interwar period the face was adopted and popularized by Francis Meynell's Pelican Press and by C. W. Hobson's Cloister press, and also used occasionally by Cambridge Press.[4] In more recent usage, the magazine Monocle is set entirely in Plantin and Helvetica.[8] An infant variety of the typeface also exists, with single-story versions of the letters a and g.
The font was used as the signature font for ABC News from 1978 until the late 1990s.
Jan Moretus was a Flemish printer born in Antwerp who married Plantin's daughter and became the owner of Plantin's printing company.