idmil.bib

# Music Technology and DMIs,

@string{ICMC = "Proceedings of the International Computer Music Conference"}

@string{NIME = "Proceedings of the International Conference on New Interfaces for Musical Expression"}

@string{SMC = "Proceedings of the Sound and Music Computing Conference"}

@string{CMJ = {Computer Music Journal}}

@string{OS = {Organized Sound}}

@string{ICLC = "Proceedings of the International Conference on Live Coding"}

@string{ICAD = "Proceedings of the International Conference of Auditory Displays" }

@string{IS2 = "Proceedings of the International Symposium on the Internet of Sounds"}

@string{ISEA = "Proceedings of the International Symposium on Electronic Arts"}

@string{CMMR = "Proceedings of the International Symposium on Computer Music Multidisciplinary Research"}

@string{MOCO = "Proceedings of the International Conference on Movement and Computing"}

@string{HAID = "Proceedings of the International Workshop on Haptic and Audio Interaction Design"}


# HCI
@string{CHI = "Proceedings of the CHI Conference on Human Factors in Computing Systems"}

@string{AH = "Proceedings of the Augmented Human International Conference"}

@string{HCII = "Proceedings of the International Conference on Human-Computer Interaction"}


# music tech & MIR
@string{ISMIR = "Proceedings of the International Society for Music Information Retrieval"}

@string{MUME = "Proceedings of the International Workshop on Musical Metacreation"}

@string{AIMC = "Proceedings of the AI Music Creativity conference"}


# music tech & acoustics
@string{DAFX = "Proceedings of the International Conference on Digital Audio Effects" }

@string{AES = "Proceedings of the Audio Engineering Society Convention"}

@string{JAES = "Journal of the Audio Engineering Society"}

@string{AudioMostly = "Proceedings of Audio Mostly Conference"}



@inproceedings{naef2006vr,
	title        = {{A VR Interface for Collaborative 3D Audio Performance}},
	author       = {Naef, Martin and Collicott, Daniel},
	booktitle    = NIME,
	pages        = {57--60},
	year         = {2006},
}

@book{miranda2006new,
  	title={{New Digital Musical Instruments: Control and Interaction Beyond the Keyboard}},
  	author={Miranda, Eduardo Reck and Wanderley, Marcelo M},
  	publisher={AR Editions, Inc.},
	address = {Middleton, WI},
	year={2006},
}

@inproceedings{schnell_introducing_2002,
  	title = {{Introducing Composed Instruments, Technical and Musicological Implications}},
  	author = {Battier, Marc and Schnell, Norbert},
  	booktitle = NIME,
	pages = {156--160},	
	year = {2002},	
}

@phdthesis{murray-browne_interactive_2012,
	type = {{PhD} {Thesis}},
	title = {Interactive music: {Balancing} creative freedom with musical development.},
	school = {Queen Mary University of London},
	author = {Murray-Browne, Tim},
	year = {2012}
}

@article{wu_musicking_2019,
	title = {{Musicking with an interactive musical system: The effects of task motivation and user interface mode on non-musicians’ creative engagement}},
	volume = {122},
	journal = {International Journal of Human-Computer Studies},
	author = {Wu, Yongmeng and Bryan-Kinns, Nick},
	pages = {61--77},	
	year = {2019},
}

@inproceedings{leslie_grainstick_2010,
	title = {{Grainstick: {a} Collaborative, Interactive Sound Installation}},
	booktitle = {Proceedings of the {International} {Computer} {Music} {Conference}},
	author = {Leslie, Grace and Zamborlin, Bruno and Jodlowski, Pierre and Schnell, Norbert},
	year = {2010},
}

@inproceedings{frid_sound_2019,
	title = {Sound {Forest}: {Evaluation} of an {Accessible} {Multisensory} {Music} {Installation}},
	author = {Frid, Emma and Lindetorp, Hans and Hansen, Kjetil Falkenberg and Elblaus, Ludvig and Bresin, Roberto},
	booktitle = CHI,
	pages = {1--12},
	year = {2019},
}

@inproceedings{jaimovich_ground_2010,
	title = {Ground {Me}! {An} {Interactive} {Sound} {Art} {Installation}.},
	author = {Jaimovich, Javier},
	booktitle = NIME,
	pages = {391--394},
	year = {2010},
}

@article{bandt_sound_2006,
	title = {{Sound Installation: {Blurring} the Boundaries of the {Eye}, the {Ear}, {Space} and {Time}}},
	author = {Bandt, Ros},
	volume = {25},
	number = {4},
	journal = {Contemporary Music Review},
	pages = {353--365},
	year = {2006},
}

@inproceedings{kirby_introducing_2022,
	title = {Introducing the t-{Tree}: {Using} {Multiple} t-{Sticks} for {Performance} and {Installation}},
	author = {Kirby, Linnea and Buser, Paul and Wanderley, Marcelo M},
	booktitle = NIME,
	year = {2022},
}

@inproceedings{malloch_t-stick_2007,
	title = {{The {T}-{Stick}: {From} Musical Interface to Musical Instrument}},
	author = {Malloch, Joseph W and Wanderley, Marcelo M},
	booktitle = NIME,
	pages = {66--70},
	year = {2007},
}

@inproceedings{meneses_expanding_2020,
	title = {Expanding and {Embedding} a {High}-{Level} {Gesture} {Vocabulary} for {Digital} and {Augmented} {Musical} {Instruments}},
	author = {Meneses, Eduardo AL and Fukuda, Takuto and Wanderley, Marcelo M},
	booktitle = HCII,
	pages = {375--384},
	year = {2020},
}

@inproceedings{fukuda_t-stick_2021,
	title = {{The T-Stick Music Creation
Project: An Approach to Building a Creative Community Around a DMI}},
	author = {Fukuda, Takuto and Meneses, Eduardo A and West, Travis and Wanderley, Marcelo M.},
	booktitle = NIME,
	year = {2021},
}

@inproceedings{nieva_t-stick_2018,
	title = {The {T}-{Stick}: {Maintaining} a 12 year-old {Digital} {Musical} {Instrument}},
	author = {Nieva, Alex and Wang, Johnty and Malloch, Joseph W and Wanderley, Marcelo M},
	booktitle = NIME,
	pages = {198--199},
	year = {2018},
}

@inproceedings{wanderley_towards_2000,
	title = {{Towards an Analysis of Interaction in Sound Generating Systems}},
	author = {Wanderley, Marcelo M. and Orio, Nicola and Schnell, Norbert},
	booktitle = ISEA,
	year = {2000},
}

@inproceedings{cook_re-designing_2009,
	title = {Re-{Designing} {Principles} for {Computer} {Music} {Controllers}: a {Case} {Study} of {SqueezeVox} {Maggie}},
	author = {Cook, Perry R},
	booktitle = NIME,
	pages = {218--221},
	year = {2009},
}

@inproceedings{stewart_vigorous_2010,
	title = {Vigorous {Music}-{Making}: {The} {Inherent} ``{Liveliness}'' {Of} {A} {T}-{Stick} {Instrumentalist}},
	author = {Stewart, D Andrew},
	booktitle = ICMC,
	year = {2010},
}

@inproceedings{stewart_digital_2009,
	title = {{Digital Musical Instrument Composition: Limits and
Constraints}},
	author = {Stewart, D Andrew},
	booktitle = {Proceedings of the {Electroacoustic} {Music} {Studies} {Network} {Conference}},
 	pages = {3--8},
	year = {2009},
}

@mastersthesis{malloch_consort_2008,
	title = {{A Consort of Gestural Musical Controllers: Design, Construction, and Performance}},
	author = {Malloch, Joseph W},	
	school = {McGill University},
	year = {2008},
}

@mastersthesis{brady,
	title = {{Developing Maturity in DMIs and Mapping Tools}},
	author = {Boettcher, Brady},
	school = {McGill University},
	year = {2023},
}

@mastersthesis{nieva_thesis,
    	title = {{Maintenance Strategies and Design Recommendations on Input Devices for Musical Expression}},
	author = {Nieva, Alex},
    	school = {McGill University},
    	year = {2018},
}

@incollection{stewart_everybody_2010,
	title = {Everybody to the power of one, for soprano {T}-stick},
	author = {Stewart, D Andrew and Malloch, Joseph},
	booktitle = CHI,
 	pages = {3093--3096},
	year = {2010},
}

@article{ferguson_mcgill_2010,
	title = {The {McGill} {Digital} {Orchestra}: {An} {Interdisciplinary} {Project} on {Digital} {Musical} {Instruments}},
	author = {Ferguson, Sean and Wanderley, Marcelo M},
	journal = {Journal of Interdisciplinary Music Studies},
	volume = {4},
	number = {2},
        pages = {17--35},
	year = {2010},
}

@inproceedings{morreale_design_2017,
	title = {Design for {Longevity}: {Ongoing} {Use} of {Instruments} from {NIME} 2010-14},
	author = {Morreale, Fabio and McPherson, Andrew},
	booktitle = NIME,
	pages = {192--197},
	year = {2017},
}

@inproceedings{franco2017prynth,
	title = {{Prynth: A Framework for Self-Contained Digital Music Instruments}},
	author = {Franco, Ivan and Wanderley, Marcelo M},
	booktitle = CMMR,
	pages = {357--370},
	year = {2017},
}

@article{p_mcpherson_problem_2012,
	title = {{The Problem of the Second Performer: Building a Community Around an Augmented Piano }},
	author = {McPherson, Andrew and E. Kim, Youngmoo},
	journal = CMJ,
	volume = {36},
	number = {4},
	pages = {10--27},
	year = {2012},
}

@article{wessel_problems_2001,
	title = {Problems and {Prospects} for {Intimate} {Musical} {Control} of {Computers}},
	author = {Wessel, David and Wright, Matthew},
	journal = CMJ,
	volume = {26},
        number = {3},
	year = {2002},
        pages = {1--22},
}

@article{torre_hands_2016,
	title = {The {Hands}: {The} {Making} of a {Digital} {Musical} {Instrument}},
	author = {Torre, Giuseppe and Andersen, Kristina and Baldé, Frank},
	journal = CMJ,
	volume = {40},
	number = {2},
	pages = {22--34},
	year = {2016},
}

@inproceedings{meneses_comparison_2019,
	title = {A comparison of open-source linux frameworks for an augmented musical instrument implementation.},
	booktitle = NIME,
	author = {Meneses, Eduardo and Wang, Johnty and Freire, Sergio and Wanderley, Marcelo M},
	pages = {222--227},
	year = {2019},
}

@inproceedings{Fels2012AdvancesIN,
	title = {{Advances in New Interfaces for Musical Expression}},
	booktitle = {{Proceedings of the International {Conference} on {Computer} {Graphics} and {Interactive} {Techniques}}},
	author = {Fels, Sidney S. and Lyons, Michael J.},
	year = {2011},
}

@inproceedings{kirkegaard2020torquetuner,
  	title={{Torquetuner: a Self Contained Module for Designing Rotary
Haptic Force Feedback for Digital Musical Instruments}},
  	author={Kirkegaard, Mathias and Bredholt, Mathias and Frisson, Christian and Wanderley, Marcelo M.},
  	booktitle=NIME,
  	pages={273--278},
	year={2020}
}

@inproceedings{cannon2012investment,
  	title={The Investment of Play: expression and affordances in Digital Musical Instrument Design.},
  	author={Cannon, Joanne and Favilla, Stuart},
  	booktitle=ICMC,
  	year={2012}
}

@inproceedings{iltur,
	title = {{"iltur" - Connecting Novices and Experts Through Collaborative Improvisation}}
    	author = {Weinberg, Gil and Driscoll, Scott},
    	booktitle = NIME,
    	pages = {17--22},
	year = {2005},
}

@article{boutwell_2009, 
	title={{The League of Automatic Music Composers, 1978–1983}}, 
	author={Boutwell, Brett}, 
	journal={Journal of the Society for American Music}, 
	volume={3}, 
	number={2}, 
	pages={263–264},
	year={2009}, 
}

@article{10.2307/1513398,
	title = {{The Aesthetics and History of the Hub: The Effects of Changing Technology on Network Computer Music}},
 	author = {Scot Gresham-Lancaster},
 	journal = {Leonardo Music Journal},
 	volume = {8},
 	number = {1},
 	year = {1998},
	pages = {39--44},
}

@article{brand1983communicating,
  	title={{On Communicating Finite-State Machines}},
  	author={Brand, Daniel and Zafiropulo, Pitro},
  	journal={Journal of the ACM},
 	volume={30},
  	number={2},
  	pages={323--342},
  	year={1983},
}

@inproceedings{beazley2010understanding,
  	title={{Understanding the Python GIL}},
  	author={Beazley, David},
  	booktitle={Proceedings of the PyCON Python Conference},
  	year={2010}
}

@article{eugster2003many,
  	title={{The Many Faces of Publish/Subscribe}},
  	author={Eugster, Patrick Th and Felber, Pascal A and Guerraoui, Rachid and Kermarrec, Anne-Marie},
  	journal={ACM Computing Surveys},
  	volume={35},
  	number={2},
  	pages={114--131},
  	year={2003},
}

@Manual{neopixels,
  	title        = {{WS2812 Integrated Light Source}},
  	year         = {2020},
  	note         = {V1.0},
  	organization = {WorldSemi},
  	url          = {https://www.mouser.com/pdfDocs/WS2812B-2020_V10_EN_181106150240761.pdf},
}

@Manual{raspberrypi4,
  	title        = {{Raspberry Pi 4 Model B}},
  	year         = {2019},
  	note         = {Release 1},
  	organization = {Raspberry Pi (Trading) Ltd.},
  	url          = {https://datasheets.raspberrypi.com/rpi4/raspberry-pi-4-datasheet.pdf},
}

@inproceedings{buser2023,
	title = {{Towards the T-Tree 2.0: Lessons Learned From Performance With a Novel DMI and Instrument Hub}},
	author = {Buser, Paul and Pocius, Kasey and Kirby, Linnea and Wanderley, Marcelo M},
	booktitle = NIME,
	year = {2023},
}


@inproceedings{marquez-borbon_problem_2018,
	title = {{The Problem of DMI Adoption and Longevity: Envisioning a NIME Performance Pedagogy}},
	author = {Marquez-Borbon, Adnan and Martinez Avila, Juan Pablo},
	booktitle = NIME,
	pages = {190--195},
	year = {2018},
}


@inproceedings{masu_nime_2021,
	title = {{NIME} and the {Environment}: {Toward} a {More} {Sustainable} {NIME} {Practice}},
	author = {Masu, Raul and Melbye, Adam Pultz and Sullivan, John and Jensenius, Alexander Refsum},
	booktitle = NIME,
	year = {2021},
}

@book{lacey2016sonic,
  	title={{Sonic Rupture: a Practice-Led Approach to Urban Soundscape Design}},
  	author={Lacey, Jordan},
  	publisher={Bloomsbury Publishing USA},
  	year={2016},
}

@article{caramiaux2014mapping,
  	title={{Mapping Through Listening}},
  	author={Caramiaux, Baptiste and Fran{\c{c}}oise, Jules and Schnell, Norbert and Bevilacqua, Fr{\'e}d{\'e}ric},
  	journal=CMJ,
  	volume={38},
  	number={3},
  	pages={34--48},
  	year={2014},
}

@inproceedings{meneses2018guitarami,
  	title={{GuitarAMI and GuiaRT: Two Independent Yet Complementary Augmented Nylon Guitar Projects}},
  	author={Meneses, Eduardo AL and Freire, S{\'e}rgio and Wanderley, Marcelo M},
  	booktitle=NIME,
  	year={2018}
}

@inproceedings{meneses2020expanding,
  	title={{Expanding and Embedding a High-Level Gesture Vocabulary for Digital and Augmented Musical Instruments}},
  	author={Meneses, Eduardo AL and Fukuda, Takuto and Wanderley, Marcelo M},
  	booktitle=HCII,
  	pages={375--384},
  	year={2020},
}

@article{truax2002genres,
  	title={{Genres and Techniques of Soundscape Composition as Developed at Simon Fraser University}},
  	author={Truax, Barry},
  	journal={Organised Sound},
  	volume={7},
  	number={1},
  	pages={5--14},
  	year={2002},
}

@inproceedings{betrayed,
	title = {{Betrayed by Updates: How Negative Experiences Affect Future Security}},
	author = {Vaniea, Kami E. and Rader, Emilee and Wash, Rick},
	booktitle = CHI,
	pages = {2671–2674},
	year = {2014},
}


@inproceedings{Masu2021NIME,
	title = {{NIME {Scores}: a {Systematic} {Review} of {How} {Scores} {Have} {Shaped} {Performance} {Ecologies} in {NIME}}},
	author = {Masu, Raul and Correia, Nuno N. and Romao, Teresa},
	booktitle = NIME,
	year = {2021},
}

@article{10.2307/3679619,
	title = {{Musicians Make a Standard: The MIDI Phenomenon}},
 	author = {Gareth Loy},
	journal = CMJ,
 	number = {4},
	volume = {9},
 	pages = {8--26},
 	year = {1985}
}

@inproceedings{schmeder2010best,
  	title={{Best Practices for Open Sound Control}},
  	author={Schmeder, Andrew and Freed, Adrian and Wessel, David},
  	booktitle={Proceedings of the Linux Audio Conference},
  	year={2010}
}

@inproceedings{Sullivan2018a,
  	title = {{Stability, Reliability, Compatibility: Reviewing 40 Years of NIME Design}},
  	author = {Sullivan, John and Wanderley, Marcelo M},
 	book title = SMC,
	year = {2018},
}

@incollection{jensenius_contexts_2003,
	title = {Contexts of {Collaborative} {Musical} {Experiences}},
	author = {Blaine, Tina and Fels, Sidney S},
        booktitle = NIME,
	pages = {129--134},
	year = {2003},
}

@inproceedings{chang2007formal,
  	title={{Formal Analysis of Authentication in Bluetooth Device Pairing}},
  	author={Chang, Richard and Shmatikov, Vitaly},
  	booktitle={Proceedings of the Foundations of Computer Security and Automated Reasoning for Security Protocol Analysis},
  	year={2007}
}

@inproceedings{fukuda_t-patch_2023,
	title = {T-{Patch}: {A} {Software} {Application} for {T}-{Stick} {Digital} {Musical} {Instruments}},
	author = {Fukuda, Takuto and Wanderley, Marcelo M},
	booktitle =  NIME,
	year = {2023},
}


@inproceedings{niyonsenga_2023,
	title = {Tools and {Techniques} for the {Maintenance} and {Support} of {Digital} {Musical} {Instruments}},
	author = {Niyonsenga, Albert-Ngabo and Wanderley, Marcelo M},
	booktitle = NIME,
	year = {2023},
}

@Online {WelcometotheBrainOpera-2023-07-18,
  	title = {{Welcome to the Brain Opera}},
  	url = {https://web.archive.org/web/20060426045519/http://brainop.media.mit.edu/indexold.html},
  	date = {2006-04-26},
  	note = {Archived from the original.}
}


@article{ippolito_review_1996,
	title = {Review {Essay}: {Brain} {Opera}},
	author = {Ippolito, Jon},
        journal = {{Postmodern Culture}},
	volume = {7},
	number = {1},
	year = {1996},
}

@inproceedings{reactable,
	title={{The reacTable*: A Collaborative Musical Instrument}}, 
  	author={Kaltenbrunner, Martin and Jorda, Sergi and Geiger, Gunter and Alonso, Marcos},
  	booktitle={Proceedings of the 15th IEEE International Workshops on Enabling Technologies}, 
  	year={2006},
}

@article{tui,
 	title={{Emerging Frameworks for Tangible User Interfaces}}, 
  	author={Ullmer, B. and Ishii, H.},
  	journal={IBM Systems Journal}, 
 	volume={39},
  	number={3.4},
  	pages={915-931},
	year={2000},
}

@book{gibson_ecological_1979,
	title = {The {Ecological} {Approach} to {Visual} {Perception}},
	author = {Gibson, J.J.},
	publisher = {Houghton Mifflin},
	address = {New York, NY},
	year = {1979},
}

@inproceedings{gaver_technology_1991,
	title = {{Technology Affordances}},
	author = {Gaver, William W},
	booktitle = CHI,
	pages = {79--84},
	year = {1991},
}

@incollection{pvc_concerns,
    	title = {{2 - Plastic materials: polyvinyl chloride (PVC)}},
	author = {G. Akovali},
    	editor = {F. Pacheco-Torgal and S. Jalali and A. Fucic},
    	booktitle = {Toxicity of Building Materials},
    	publisher = {Woodhead Publishing Limited},
    	location = {Cambridge, U.K.},
	pages = {23-53},
    	year = {2012},
}

@article{calegario_probatio2017,
	title={{A Method and Toolkit for Digital Musical Instruments: Generating Ideas and Prototypes}}, 
  	author={Calegario, Filipe and Wanderley, Marcelo M. and Huot, Stéphane and Cabral, Giordano and Ramalho,Geber},
  	journal={IEEE Multimedia}, 
  	volume={24},
  	number={1},
  	pages={63--71},
 	year={2017},
}

@incollection{bongers2000physical,
  	title={{Physical Interfaces in the Electronic Arts}},
  	author={Bongers, Bert},
	editor={Marcelo M. Wanderley and Marc Battier},
  	booktitle={{Trends in Gestural Control of Music}},
  	publisher={IRCAM},
	location={Paris, France},
  	pages={41--70},
  	year={2000},
}

@inproceedings{calegario_open_2020,
	title = {{Open Source DMIs: Towards a Replication Certification for Online Shared Projects of Digital Musical Instruments}},
	author = {Calegario, Filipe and Tragtenberg, João and Wang, Johnty and Franco, Ivan and Meneses, Eduardo and Wanderley, Marcelo M.},
	booktitle = HCII,
	pages = {84--97},
	year = {2020},
}

@article{jennings2003toy,
  	title={{"Toy Symphony": an International Music Technology Project for Children}},
  	author={Jennings, Kevin},
  	journal={Music Education International},
  	volume={2},
	pages={3--21},
  	year={2003},
}

@Online{music_shapers,
  	title = {{Music shapers in an indoor garden}},
  	author = {Roberto Aimi},
  	date = {2005-11-23},
  	url = {https://opera.media.mit.edu/papers/shapers-mf-paper.pdf},
}